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Film editing is both a creative and a technical part of the post-production process of filmmaking. The essays help is derived from the best research methods dissertation process of working with film which increasingly involves the use of digital technology. The film editor works with the raw footageselecting shots and combining them into sequences which create a finished motion picture.

Film editing is described as an art or film editing dissertation, the only art that is unique to cinema, separating filmmaking from other art forms film editing dissertation preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is often referred to as the "invisible art" [1] because when it is well-practiced, the viewer can become so engaged that they are not aware of the editor's work.

On its most fundamental level, film editing is the arttechnique and practice of assembling shots into a coherent sequence. The job of an editor is not simply to mechanically put pieces of a film together, cut off film slates or edit dialogue scenes. A film editor must creatively work with the layers of images, film editing dissertation, dialogue, music, pacing, as well as the actors' performances to effectively "re-imagine" and even rewrite the film to craft a cohesive whole.

Editors usually play a dynamic role in the making of a film. Sometimes, auteurist film directors edit their own films, for example, Akira KurosawaBahram BeyzaiSteven Soderberghand the Coen brothers. With the advent of digital editing in non-linear editing systemsfilm editors and their assistants have become responsible for many areas of filmmaking that used to be the responsibility of others. For instance, in past years, picture editors dealt only with just that—picture.

Sound, music, and more recently visual effects editors dealt with the practicalities of creative writing piece on love aspects of the editing process, usually under the direction of the picture editor and director. However, digital systems film editing dissertation increasingly put these responsibilities on the picture editor. It is common, especially on lower budget films, for the editor to sometimes cut in temporary music, mock up visual effects and add temporary sound effects or other sound replacements. These temporary elements are usually replaced with more refined final elements produced by the donhee ham dissertation, music and visual effects teams constitutional union party dissertation to complete the picture.

Early films were short films that were one long, dissertation antonym, and locked-down shot. Motion in the shot was all that was necessary to amuse an audience, so the first films simply showed activity such as traffic moving along a city street. There was no story and no editing. Each film ran as long as there was film editing dissertation in the camera. The use of film editing to establish continuity, involving film editing dissertation moving from one sequence into another, is attributed to British film pioneer Robert W.

Paul 's Come Along, Do! The second shot shows what they do inside. Film editing dissertation 'Cinematograph Camera No. The further development of action continuity in multi-shot films continued in at the Brighton School in England, where it was definitively film editing dissertation by George Albert Smith and James Williamson. In that year, Smith made As Seen Through a Telescopein which the main shot shows street scene with a young man tying the shoelace and then caressing the foot film editing dissertation his girlfriend, while an old man observes this through film editing dissertation telescope.

There is then a cut to close shot of the hands on the girl's foot shown inside a black circular mask, and then a cut back to the continuation of the original scene. The first shot shows the gate to the mission station from the outside being attacked and broken open by Chinese Boxer rebelsthen there movie review meaning a cut to the garden of the mission station where a pitched battle ensues. An armed party of British sailors arrived to defeat the Boxers and rescue the missionary's family. The film used the first " reverse angle " cut in film history. James Williamson concentrated on making films taking feminist research paper topics from dissertation committee invitation letter place shown in one shot to the next shown in another shot in films like Stop Thief!

He also experimented with the close-up, and made perhaps the most extreme one of all in The Big Swallowwhen his character approaches the camera and appears to film editing dissertation it. These two filmmakers of the Brighton School also pioneered the editing of the film; they tinted their work with color film editing dissertation used trick photography to enhance the narrative. Bytheir films were extended scenes of up to 5 minutes long.

Other filmmakers then took film editing dissertation all these ideas including the American Edwin S. Porterwho started making films for the Edison Company in Porter worked on a number of minor films before making Life of an American Fireman thesis presentation in conference pace essay topics The film was the classification and division essay graphic organizer American film with a plot, featuring personal life essay, and even thesis statement music essay closeup of a hand pulling a fire alarm.

The film comprised a continuous narrative over seven scenes, rendered in a total of nine shots. His film, The Great Train Robberyhad a running time of twelve minutes, with twenty separate shots and ten different essays magazine and outdoor locations. He used cross-cutting editing method to show simultaneous action in different places. These early film directors discovered important aspects of motion picture language: that the screen film editing dissertation does not edit my paper review to show a complete person from head to toe and that splicing together two shots creates in esl cover letter writer service for masters viewer's mind a contextual relationship.

Homework pay to do were the key discoveries that made all non-live or non live-on-videotape narrative motion pictures and television possible—that shots in this case, whole scenes since each shot is a complete scene can be photographed at widely different locations over a period of time hours, days or even months and combined into a narrative whole.

But when the robbers leave the telegraph station interior set and emerge at the water tower, the audience believes they went immediately from one to the film editing dissertation. Or that when they climb on the train in one shot and enter the baggage car a set in the next, the audience believes they are on the same train. Sometime aroundRussian director Lev Kuleshov did an experiment that proves this point. See Kuleshov Experiment He took an old film clip of a headshot of a noted Russian actor and intercut the shot with a shot of a bowl of soup, then with a child film editing dissertation with a teddy bear, then with a what is a 300 word essay an elderly woman in a casket.

When he showed the film to people they praised the actor's acting—the hunger in his face when he saw the soup, the delight in the child, and dissertation pages mac film editing dissertation when looking at the dead woman. The simple act of juxtaposing the shots in a sequence made the relationship. Before the widespread use of digital non-linear film editing dissertation systemsthe initial editing of all films was done with a positive copy of the film negative called a film workprint cutting copy in UK by physically cutting and splicing together pieces of film.

Editors were very precise; if they film editing dissertation a wrong cut or do my homework websites a fresh positive print, it cost the production money and time for the lab to reprint the footage. Additionally, each reprint put the negative at risk of damage.

With the invention of a splicer and threading the machine with a viewer such as a Moviolaor "flatbed" machine such film editing dissertation cite an essay in a book chicago K. The Moviola editing practice is non-linear, allowing the editor to make choices faster, a great advantage to editing episodic films for film editing dissertation which have very short timelines to complete the work. All film writing apa research paper thesis writer hire and production companies who produced films for television provided this tool for their editors.

Flatbed editing machines were used for playback and refinement of cuts, particularly in feature films and films made for television because they were less noisy and cleaner to work with. Operated by a team of two, an editor and assistant editor, this tactile process required significant skill but allowed for editors to work extremely efficiently. Today, most films are edited cpm homework help cc2 on systems such as Media ComposerFinal Cut Pro X or Premiere Pro and bypass the film positive workprint altogether.

In the past, the use of a film film editing dissertation not the original negative allowed the editor to do as much experimenting as film editing dissertation or she wished, without the risk of damaging the original. With digital editing, editors can experiment just as much as before except with the footage completely transferred to a computer hard drive. When the film workprint had been aqa a level maths coursework to a satisfactory state, it was then used to make an edit decision list EDL. The negative cutter referred to this list while processing the negative, splitting the shots into rolls, which were then contact printed to produce the final film print or answer print.

Today, production companies have the option of bypassing negative cutting altogether. With the advent of digital intermediate "DI"the physical negative does not necessarily need to be physically cut and hot spliced together; rather the negative is optically scanned into the computer s and a cut film editing dissertation is confirmed by a DI editor. In the early years of film, editing was considered a technical job; editors were expected to "cut out the bad bits" and string the film together.

Indeed, when the Motion Picture Editors Guild was formed, they chose to be "below the line", that is, not a creative guild, but a technical one. Women were not usually able to break into the "creative" positions; directors, cinematographers, producers, and executives were almost always men. Editing afforded creative women a place to assert their mark on the filmmaking process. Post-production editing may be summarized by three distinct phases commonly referred to as the editor's cutthe director's cutand the film editing dissertation cut. There are several editing stages and the editor's cut is the first.

An editor's cut sometimes referred to as the dissertation abstracts international citation edit" or "Rough cut" is normally the first pass of what the final film will be when it reaches picture lock. The film editor usually critical thinking in nursing pdf working while principal photography starts. Sometimes, prior to cutting, the editor and director will have seen and discussed " dailies " reflective essay definition footage shot each day as shooting progresses.

As production schedules international dissertation field research fellowship program shortened over the years, this co-viewing happens less essay on community. Screening film editing dissertation give the editor a general non dissertation phd programs of the director's intentions. Because it is the first pass, the editor's cut might be longer than the final film. The editor continues to refine the cut while shooting continues, and often the entire editing process goes on dissertation abstracts international citation many months and sometimes more film editing dissertation a year, depending on the film.

When shooting is finished, the director can then turn his or her full attention to film editing dissertation with the editor and further refining the cut of the film. Film editing dissertation is the time that is set aside where the film editor's first cut is molded film editing dissertation fit the director's vision. In the United States, under the rules of the Directors Guild of Americadirectors receive a minimum of ten weeks after completion of principal photography to prepare their first cut. While collaborating on what is referred to as the "director's cut", the director and the editor go over the entire movie in great detail; scenes and shots are re-ordered, removed, shortened and otherwise tweaked.

Often it is discovered that there are plot holesmissing shots or even missing segments which might require that new scenes be filmed. Because of this time working closely and collaborating — a period that is normally far longer and more intricately detailed than the entire preceding film architecture thesis site model — many directors and editors form a unique artistic bond. International dissertation field research fellowship program after the director has had their chance to oversee a cut, the subsequent cuts are supervised by one or film editing dissertation producers, who represent the production company or movie studio.

There have been several conflicts in the past between the director and the studio, sometimes leading to the use of the " Best dissertation website Smithee " credit signifying when a director no longer wants to be associated with the final release. In motion picture terminologya montage from the French for "putting together" or "assembly" is a film editing technique.

Although film director Film editing dissertation. Griffith was not part of the montage school, he was one of the early proponents of the power of editing — mastering cross-cutting to show parallel action in different locations, and codifying film grammar in other ways film editing dissertation well. Griffith's work in the film editing dissertation was highly msc dissertation literature review by Lev Kuleshov and other Soviet filmmakers and greatly influenced their understanding of editing.

Kuleshov was among the first to theorize about the relatively young medium of the cinema in the s. For him, the unique essence of the cinema — that which could be duplicated in no other medium — is editing. He argues that editing a film is like constructing a building. Brick-by-brick shot-by-shot the building film is erected. His often-cited Kuleshov Experiment established that montage can lead the viewer to reach certain conclusions about film editing dissertation action in a film. Montage works because viewers infer meaning based on context.

Sergei Eisenstein was briefly a student of Kuleshov's, but the two parted ways because they had different ideas of montage. Eisenstein regarded montage as a dialectical means of creating meaning. By contrasting unrelated shots he tried to provoke associations in the viewer, which were film editing dissertation by shocks. But Eisenstein did not always do his own editing, and some of his most important films were edited by Esfir Tobak.

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